Welcome.

Stone Records was formed in 2008 to produce high quality classical CDs with a broad appeal. In a short space of time the label has received critical acclaim for its initial releases and embarked upon a number of ambitious and successful projects. With many further discs already in the pipeline, we are looking forward to making more interesting and inspiring music in the future.

Welcome.

Stone Records was formed in 2008 to produce high quality classical CDs with a broad appeal. In a short space of time the label has received critical acclaim for its initial releases and embarked upon a number of ambitious and successful projects. With many further discs already in the pipeline, we are looking forward to making more interesting and inspiring music in the future.

This looks like a very worthwhile venture.

London English Song Festival

The LESF celebrates & promotes the performance, composition and appreciation of English song through concerts & educational activities.

Apr 23rd 7:12am • No Comments

Stone Records would like to recommend this new wireless music system. We've had a play with prototypes and talked to the CEO, and this is going to be a really exciting product. You will be able to combine it with a simple home automation system, but more than that, just as a stand-alone sound system it already solves the problems that exist with Sonos. Support it now on Kickstarter to be the first to own it and to get it for a great price.

Musaic Wireless HiFi Music System - Your music, Your way.

Stylish and compact Wi-Fi and Bluetooth hi-fi speakers, controlled by apps for Apple iPhone & iPad, Android phone & tablet, Mac & PC.

Apr 17th 10:59am • No Comments

Today Stone Records released its 40th disc - a wonderful collection of choral works by composer Tim Hamilton, performed by his own chamber choir Cantoribus (with a bit of help from Liz Meister).

Vision :: Stone Records, Independent Classical Music

stonerecords.co.uk

Stone Records was formed in 2008 to produce high quality classical CDs with a broad appeal. In a short space of time the label has received critical acclaim for its initial releases and embarked upon a number of ambitious and successful projects. With many further discs already in the pipeline, we a...

Mar 31st 7:19pm • No Comments

Bohuslav Martinů


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Bohuslav Martinů (1890-1959) was a prolific Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. Martinů became a violinist in the Czech Philharmonic Orchestra, and taught music in his home town. In 1923 Martinů left Czechoslovakia for Paris, and deliberately withdrew from the Romantic style in which he had been trained. In the 1930s he experimented with expressionism and constructivism, and became an admirer of current European technical developments, exemplified by his orchestral works Half-time and La Bagarre. He also adopted jazz idioms, for instance in his Kuchyňské revue (“Kitchen Revue”).

In the early 1930s he found his main font for composition style, the neo-classical as developed by Stravinsky. With this, he expanded to become a prolific composer, composing chamber, orchestral, choral and instrumental works at a fast rate. His use of the piano obbligato became his signature. His Concerto Grosso and the Double Concerto for Two String Orchestras, Piano and Timpani are among his best known works from this period. Among his operas, Juliette and The Greek Passion are considered the finest. He is compared with Prokofiev and Bartók in his innovative incorporation of Central European ethnomusicology into his music. He continued to use Bohemian and Moravian folk melodies throughout his oeuvre, usually nursery rhymes—for instance in Otvírání studánek (“The Opening of the Wells”).

His symphonic career began when he emigrated to the United States in 1941, fleeing the German invasion of France, to compose his six symphonies, which were performed by all the major US orchestras. Eventually Bohuslav Martinů returned to live in Europe in 1956, dying in Switzerland in August 1959.