Welcome.

Stone Records was formed in 2008 to produce high quality classical CDs with a broad appeal. In a short space of time the label has received critical acclaim for its initial releases and embarked upon a number of ambitious and successful projects. With many further discs already in the pipeline, we are looking forward to making more interesting and inspiring music in the future.

Welcome.

Stone Records was formed in 2008 to produce high quality classical CDs with a broad appeal. In a short space of time the label has received critical acclaim for its initial releases and embarked upon a number of ambitious and successful projects. With many further discs already in the pipeline, we are looking forward to making more interesting and inspiring music in the future.

This looks like a very worthwhile venture.

London English Song Festival

The LESF celebrates & promotes the performance, composition and appreciation of English song through concerts & educational activities.

Apr 23rd 7:12am • No Comments

Stone Records would like to recommend this new wireless music system. We've had a play with prototypes and talked to the CEO, and this is going to be a really exciting product. You will be able to combine it with a simple home automation system, but more than that, just as a stand-alone sound system it already solves the problems that exist with Sonos. Support it now on Kickstarter to be the first to own it and to get it for a great price.

Musaic Wireless HiFi Music System - Your music, Your way.

Stylish and compact Wi-Fi and Bluetooth hi-fi speakers, controlled by apps for Apple iPhone & iPad, Android phone & tablet, Mac & PC.

Apr 17th 10:59am • No Comments

Today Stone Records released its 40th disc - a wonderful collection of choral works by composer Tim Hamilton, performed by his own chamber choir Cantoribus (with a bit of help from Liz Meister).

Vision :: Stone Records, Independent Classical Music

stonerecords.co.uk

Stone Records was formed in 2008 to produce high quality classical CDs with a broad appeal. In a short space of time the label has received critical acclaim for its initial releases and embarked upon a number of ambitious and successful projects. With many further discs already in the pipeline, we a...

Mar 31st 7:19pm • No Comments

C.W. Orr


Related Albums
 
The complete C.W. Orr songbook – volume 2
The complete C.W. Orr songbook – volume 1

C.W. Orr (1893-1976) was born in Cheltenham, shortly after the death from tuberculosis of his father (who was a captain in the Indian Army), and learnt the piano and studied music theory as a child. He was attracted to the singing of Elena Gerhardt, whom he heard sing in London and developed an interest in lieder, especially those of Johannes Brahms, Franz Schubert, Robert Schumann. After reading Ernest Newman’s book on the composer Hugo Wolf he determined to become a songwriter, which occupation he pursued through study at the Guildhall School of Music. He was attracted to the music of Frederick Delius after approaching him at a London restaurant in 1915 and Delius became his mentor, helping him with his early compositions. He also came to know Peter Warlock, who helped him in publishing his early songs.

He married in 1929 and moved to Painswick, Gloucestershire, to get away from the busy atmosphere of London, which was detrimental to his health; a vaccination as a child had left him with eczema, and he contracted tuberculosis as an adult. He would remain in Painswick for the rest of his life.

His work as a composer was dominated by the composition of songs accompanied by piano; his life’s study was the expressive setting of poetry to music. He wrote more settings of A.E. Housman’s poetry than any other composer; he was a particular admirer of Housman. He became acquaithed wuth Housman’ poetry just after World War I, during which time he was unable to fight on medical grounds, having enlisted. He undertook research visits to Shropshire, taking photographs, and attended one of Housman’s lectures as Kennedy Professor of Latin at Cambridge University. He asked for permission to translate A Shropshire Lad into German so he could bring his songs into wider circulation, but the request was refused.

His piano accompaniments and postludes are an integral part of each song, providing more than bare harmony; examples of its use for programme music include fluttering semiquavers depicting aspen leaves in Along the Field and heavy chords in a march to the scaffold in The Carpenter’s Son. His harmonic language is a mixture of English modality and late Romanticism. Orr is regarded as one of Britain’s finest 20th century songwriters.