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Stone Records

Independent Classical Music

Formed in 2008 with the aim of producing high quality classical CDs, Stone Records has received critical acclaim for its ambitious catalogue. We look forward to making more interesting and inspiring music in the future; to stay up to date with our releases, register for our newsletter.

MOST RECENT ALBUMS
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Elisabeth Meister

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Su Zhen

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Stephen Barlow

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Guy Johnston

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Timothy Hamilton

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Mark Stone


Related Albums
 
The complete Quilter songbook – vol.2
The complete Havergal Brian songbook – vol.2
The complete John Ireland songbook – vol.1
The complete Quilter songbook – vol.1
Requiem æternam
The complete C.W. Orr songbook – vol.2
The complete Havergal Brian songbook – vol.1
The complete C.W. Orr songbook – vol.1
Hugo Wolf – the complete songs – vol.3: Italienisches Liederbuch
The complete Delius songbook – vol.2
The complete Delius songbook – vol.1
Paul Carr: Requiem For An Angel
The songs of Ronald Corp
The complete Butterworth songbook
English Love

Mark Stone studied at the Guildhall School of Music and Drama. In 1998 he was awarded the Decca Prize at the Kathleen Ferrier Awards.

On the opera stage, his recent engagements have included the title role in ‘Don Giovanni’ for the Deutsche Oper Berlin, Hamburg and New Zealand Opera; Count Almaviva (Le nozze di Figaro) in Cologne and Tampere,  Mountjoy (Gloriana), Mr Astley (The Gambler), Valvert (Cyrano de Bergerac) and Sonora (La fanciulla del West) at the Royal Opera House, Covent Garden; the title role in ‘Eugene Onegin’ at Glyndebourne; Eisenstein (Die Fledermaus) and Belcore (L’Elisir d’amore) at the Welsh National Opera; Demetrius (A Midsummer Night’s Dream) at Opera North; Lescaut (Manon Lescaut) in Leipzig; Elviro (Serse) for the Royal Swedish Opera; and Yeletsky (Pique Dame), Danilo (Die lustige Witwe) and Ottakar (Der Freischütz) for Opéra de Montpellier. In the U.S. he has sung Germont (La traviata), the title role in ‘Gianni Schicchi’ and Ford (Falstaff) for Philadelphia Opera and Guglielmo (Così fan tutte), in Santa Fe.

His many roles at the English National Opera have included the title role in ‘Don Giovanni’, Il Conte (Le nozze di Figaro), Guglielmo, Marcello (La bohème), Figaro (Il barbiere di Siviglia), Enrico (Lucia di Lammermoor), Silvio (I Pagliacci), Chou-en-Lai (Nixon in China) and Prince Yamadori in Anthony Minghella’s production of ‘Madama Butterfly’.

His future appearances include Count Alamaviva in Hamburg Opera and Robert Storch in Intermezzo for Garsington Opera.

In concert, his recent engagements have included the London Symphony Orchestra with Harding and Sir Colin Davis; the Hallé Orchestra with Elder; the Gabrieli Consort with McCreesh; the Bamberger Symphoniker with Norrington; the Academy of Ancient Music with Daniel and appearances with the City of London Sinfonia; the BBC National Orchestra of Wales; the Royal Liverpool Philharmonic Orchestra and the CBSO. Engagements this season include concerts with Maazel and the Philharmonia (Mahler 8), Vladimir Jurowski and the Dresden Staatskapelle (Auerbach Requiem), Xian Zhang in Milan (Britten ‘War Requiem’), Michael Schoenwandt in Amsterdam (Jeths ‘Hotel de Pekin’), Donald Runnicles in Glasgow (MacMillan ‘Passion), Paul Goodwin in London (Bach ‘St Matthew Passion’) and James Judd at the Vienna Konzerthaus (Elgar ‘The Dream of Gerontius’).

www.markstone.info

www.askonasholt.co.uk