Marie Macleod, described by The Guardian as ‘powerfully eloquent’ and The Strad as ‘a cellist who can hold a stage and captivate an audience’, performs extensively as soloist and chamber musician at major concert venues across Europe. She has appeared as soloist with orchestras throughout the UK and Sweden such as the London Symphony Orchestra and the Ulster Orchestra, and her performances are frequently broadcast by the BBC, Classic FM, Dutch Radio 4 and Swedish Radio. At the age of seventeen Marie won the Eastbourne Young Musician of the Year; she went on to win the string section of the BBC Young Musician of the Year, the Royal Over-Seas League competition, the Suggia Gift for Cello and the Bronze Medal in the Shell/LSO competition, as well as awards from the Tunnell, Leverhulme and Countess of Munster Trusts.
As a member of the Aronowitz Ensemble, Marie is a BBC New Generation Artist and has performed at the BBC Proms, Cheltenham, Aldeburgh, Bath, Spoleto and the City of London Festivals, as well as recording extensively for the BBC. Marie is also cellist in the Lendvai String Trio, who perform at major concert halls such as the Concertgebouw in Amsterdam, Wigmore Hall, Purcell Room, Barbican, St John’s Smith Square and King’s Place in London, and the Berwaldhall and Nybrokajen in Stockholm. In 2005 the trio won awards from the Kirckman Concert Society, Worshipful Company of Musicians and the Park Lane Group, and were also selected for the Holland Music Sessions ‘New Masters on Tour’, giving concerts in Latvia, Romania, Germany, France, Italy, Poland, Hungary and Cyprus.
Marie has a strong interest in contemporary music and has had several works specially written for her by composers Edwin Roxburgh, Cheryl Frances-Hoad, Gunnar Valkare and Matts Larsson Gothe. She enjoys regular chamber music collaborations with artists such as Pekka Kuusisto, Tasmin Little, Nicholas Daniel, Anthony Marwood, Paul Watkins, Alison Balsom, Robert Mann and Ivry Gitlis. Between 2006 – 2008 Marie was principal cellist of the Västerås Sinfonietta in Sweden; in 2007 and 2008 she also performed with the BBC Scottish Symphony Orchestra as guest principal cellist. She studied with Louise Hopkins at the Yehudi Menuhin School, David Takeno at the Guildhall School of Music and Drama where she gained a Masters with Distinction and was awarded the prestigious Concert Recital Diploma, Frans Helmerson at the Musikhochschule in Cologne and Steven Isserlis at IMS Prussia Cove. Marie plays a Matteo Goffriller cello from 1706.
Caroline MacPhie, described as a singer with ‘flair, style and imagination’ (The Daily Telegraph), completed her studies on the Opera Course at the Royal Academy of Music, following which she was selected by the Young Classical Artists Trust. On the operatic stage she has performed repertoire from Monteverdi to Max Richter for the Royal Opera House, Opera North, Scottish Opera, Bristol Old Vic, Opéra National de Lyon, Banff Centre, Canada and many more. A committed recitalist, she made her Wigmore Hall debut with Joseph Middleton in 2011 and has also performed at Purcell Room, Royal Liverpool Philharmonic Hall and Ravinia Festival, Chicago as a Steans Institute Young Artist. Her broadcasts include Fauré’s La bonne chanson live from the Cheltenham Festival for BBC Radio 3 as well as transmissions for France Musique and France 3 with Opéra de Lyon. On the concert and oratorio platform she has collaborated with European Union Chamber Orchestra, Hallé, Hanover Band, Northern Sinfonia, Philharmonia, Southbank Sinfonia and Stockholm Sinfonietta at venues including Basilica di San Pietro, Perugia, Bridgewater Hall, Royal Festival Hall and Stockholm Concert Hall. Having initially read French and German at Bristol University, Caroline went on to pursue postgraduate studies at the Royal Northern College of Music, Manchester. A finalist in the Kathleen Ferrier Awards, her competition successes include First Prize in the Emmy Destinn Awards, Prague, Miriam Licette Scholarship (MBF), Dame Eva Turner Award and Blyth-Buesst Operatic Prize (RAM), Schubert Prize and Claire Croiza Prize for French Song (RNCM). She is also a Britten-Pears Young Artist, Kirckman Society Artist, Samling Scholar and Wingate Scholar.
The Maggini Quartet, formed in 1988, is one of the finest British string quartets. Its acclaimed recordings have won international awards including Gramophone Chamber Music Award of the Year, Diapason d’Or of the Year and a Cannes Classical Award, and have twice been nominated for Grammy Awards. The Quartet is commencing a new collaboration with Meridian Records by recording the complete Mendelssohn quartet cycle.
The Maggini Quartet’s commitment to new music has led to important commissions including works by James MacMillan, Robert Simpson, Eleanor Alberga and Roxanna Panufnik. The Quartet’s unique collaboration with Sir Peter Maxwell Davies, performing and recording his ten ‘Naxos Quartets’, has been hailed as “a 21st century landmark”. Their latest commission is a string quartet by Stuart MacRae to celebrate the ensemble’s 25th Anniversary in 2013.
The Maggini Quartet appears frequently in prestigious concert series at home and abroad and makes regular media broadcasts. Recent international visits have included Dubai, Switzerland and the Netherlands. The Quartet tours in Norway every summer, and will undertake a major tour of Germany in autumn 2013.
The Magginis are renowned for their interpretations of British Repertoire and The Glory of the English String Quartet continues to be an important ongoing initiative, drawing upon the wonderful repertoire which the Quartet is committed to bringing to a worldwide audience. The coming season features Britten and Rawsthorne.
The Maggini Quartet launched its own chamber music festival in May 2012. ‘Magginis in Breckland’ is an annual event based in Norfolk, bringing musicians of the highest calibre to the community, with concerts reflecting the full range of the Maggini’s eclectic repertoire.
In addition to their concert activity, the members of the Quartet have an international reputation aschamber music coaches. They hold several UK residencies and have worked at the UK’s senior music institutions.
Andrew Marriner became principal of the London Symphony Orchestra in 1986 following the footsteps of the late Jack Brymer. During his orchestral career he has also maintained his place on the worldwide solo concert platform alongside an active role in the field of chamber music. His professional musical career began at the age of seven when he was a boy chorister at King’s College Cambridge. Joining the National Youth Orchestra in 1968 he studied briefly at Oxford University and then extensively in Hannover, Germany with Hans Deinzer.
He first played with the LSO in 1977 under Sergiu Celibidache and as guest principal on their 1983 world tour. He later also became principal clarinet of the Academy of St. Martin-in-the-fields.
As a soloist Andrew has been a regular performer in London, both at the Barbican and the Royal Festival Hall. His extensive career abroad has taken him to La Scala, Milan; La Fenice, Venice; the Musikverein in Vienna; as far afield as the USA and Australia, and most points in between. These concerto performances have been in collaboration with Leonard Bernstein, Sir Colin Davis, Antonio Pappano, Andre Previn, Rostropovic, Michael Tilson Thomas, Valery Gergiev and Sir Neville Marriner. Andrew has also given world premieres of concertos written for him by Robin Holloway, Dominic Muldowney and John Tavener.
Andrew Marriner is a member of both the LSO and Academy chamber ensembles. He has enjoyed playing with many other international groups over the years: these include the Chilingirian, Lindsay, Endellion, Moscow, Warsaw, Orlando, Sine Nomine and Belcea string quartets. He has also worked with some of the most distinguished individuals in the world of chamber music such as Alfred Brendel, Andre Previn, Andras Schiff, Lynn Harrell, Stephen Isserlis, Emmanuel Ax, Hélène Grimaud, and with the late Vlado Perlemuter and George Malcolm.
Andrew has recorded the core solo and chamber clarinet repertoire with various record companies including Philips, EMI, Chandos and Collins Classics. His concerto appearances are regularly broadcast by the BBC. A new recording of the Mozart concerto with the Academy of St. Martin-in-the-Fields and Sir Neville Marriner was released in 2004.
Andrew is in demand as a teacher and woodwind consultant and gives masterclasses, coaches orchestras and adjudicates competitions all around the world. He is visiting Professor at the Royal Academy of Music, and was awarded an Hon. Ram in 1996.
Malcolm Martineau was born in Edinburgh, read Music at St Catharine’s College, Cambridge and studied at the Royal College of Music.
Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bär, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christopher Maltman, Karita Mattila, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Michael Schade, Frederica von Stade, Sarah Walker and Bryn Terfel.
He has presented his own series at the Wigmore Hall (a Britten and a Poulenc series and Decade by Decade – 100 years of German Song broadcast by the BBC) and at the Edinburgh Festival (the complete lieder of Hugo Wolf). He has appeared throughout Europe (including London’s Wigmore Hall, Barbican, Queen Elizabeth Hall and Royal Opera House; La Scala, Milan; the Chatelet, Paris; the Liceu, Barcelona; Berlin’s Philharmonie and Konzerthaus; Amsterdam’s Concertgebouw and the Vienna Konzerthaus and Musikverein), North America (including in New York both Alice Tully Hall and Carnegie Hall), Australia (including the Sydney Opera House) and at the Aix en Provence, Vienna, Edinburgh, Schubertiade, Munich and Salzburg Festivals.
Recording projects have included Schubert, Schumann and English song recitals with Bryn Terfel (for Deutsche Grammophon); Schubert and Strauss recitals with Simon Keenlyside (for EMI); recital recordings with Angela Gheorghiu and Barbara Bonney (for Decca), Magdalena Kozena (for DG), Della Jones (for Chandos), Susan Bullock (for Crear Classics), Solveig Kringelborn (for NMA); Amanda Roocroft (for Onyx); the complete Fauré songs with Sarah Walker and Tom Krause; the complete Britten Folk Songs for Hyperion; the complete Beethoven Folk Songs for Deutsche Grammophon; the complete Poulenc songs for Signum; and Britten Song Cycles as well as Schubert’s Winterreise with Florian Boesch for Onyx.
This season’s engagements include appearances with Simon Keenlyside, Magdalena Kozena, Dorothea Röschmann, Susan Graham, Christopher Maltman, Thomas Oliemanns, Kate Royal, Christiane Karg, Iestyn Davies, Florian Boesch and Anne Schwanewilms.
He was a given an honorary doctorate at the Royal Scottish Academy of Music and Drama in 2004, and appointed International Fellow of Accompaniment in 2009. Malcolm was the Artistic Director of the 2011 Leeds Lieder+ Festival.
Gary Matthewman has been described by The Times and The Independent as ‘movingly perceptive’ and ‘quick-witted,’ and is now established as one of Britain’s leading song pianists. He studied at the Royal College of Music in London, and subsequently in Berlin and Vienna. Awards include those for accompaniment at the Royal Over-Seas League Competition, the Maggie Teyte Awards, and the prize for pianists at the inaugural Das Lied – International Song Competition in Berlin.
Abroad, Gary has appeared as a song recitalist in Berlin, Madrid, Vienna, Baden-Baden, Amsterdam, Aix-en-Provence, Gstaad, Kiev, Zagreb, Washington DC, Toronto and São Paulo. His UK Festival performances include Aldeburgh, Newbury, Hay-on-Wye, Buxton, Leeds Lieder, Oxford Lieder, North Norfolk, Bath and Sheffield (Music in the Round). In London, he has appeared at Wigmore Hall, the Royal Opera House, and in the Rosenblatt Recital Series at St John’s, Smith Square. In 2009 Gary conceived the Lied in London recitals, dedicated to the performance of song in a relaxed and intimate setting. He has made numerous live broadcasts and recordings for BBC Radio 3, and in 2011 he joins BBC Cardiff Singer of the World as official accompanist.
Gary has accompanied some of today’s most exciting singers. These include Sir Thomas Allen, Sumi Jo, Simon Keenlyside, Kate Royal, Ian Bostridge, Elizabeth Watts, Markus Werba, Sylvia Schwartz, Jacques Imbrailo, Yuriy Mynenko, Matthew Rose, Sally Matthews, Toby Spence, Geraldine McGreevy, Sarah-Jane Brandon, Dame Josephine Barstow, Cora Burggraaf and Stephan Loges. Future engagements include his debut recitals at New York’s Carnegie Hall with Andrei Bondarenko and Vienna’s Musikverein with Adam Plachetka, and a Wigmore Hall recital with Thomas Quasthoff.
Geraldine McGreevy studied at the Royal Academy of Music, where she has since been made an Associate, and at the National Opera Studio. She has also lived and studied in France, Italy and Germany. An experienced recitalist, she has recorded Wolf, Fauré, Schumann, Schubert and many English Songs for Hyperion and Chandos, and has regularly broadcast recitals for the BBC as well as other European broadcasting institutions. She has returned to the Wigmore Hall frequently since her 1997 debut after winning the 1996 Kathleen Ferrier Award and made her De Singel recital debut in 2006, returning there in 2009 for a special extended Fauré recital series with Graham Johnson, with whom she has appeared in recitals in venues across Europe and North America. She has worked with many chamber musicians and early music groups including the viol quartet Phantasm, with whom she has recorded Byrd consort songs.
As an opera singer Geraldine has appeared in major European Opera Houses and Festivals including The Royal Opera House, Welsh National Opera, La Monnaie, Brussels, Aix-en-Provence, the Edinburgh Festival and the BBC Proms. Recent engagements include her début at the Bayerische Staatsoper, Munich, as Giunone (La Calisto), as well as returns to the Komische Oper, Berlin for the Marschallin (Der Rosenkavalier) and in the title-role of Gluck’s Iphigenie en Tauride, and to the Royal Opera House for Gerhilde (Die Walküre). Other roles she has sung include Alcina, Fiordiligi (Così fan tutte), Vitellia (La Clemenza di Tito), Donna Anna, (Don Giovanni), Freia (Das Rheingold), Alice Ford (Falstaff), Chystothemis (Elektra), Marie (Wozzeck), The Governess and Miss Jessel (The Turn of the Screw), The Female Chorus (The Rape of Lucretia) and Ellen Orford (Peter Grimes). She has recorded Handel’s Arminio with Alan Curtis (EMI), Handel’s Riccardo Primo with Kammerorchester Basel and Goodwin (DHM), and for Chandos, Sullivan’s Ivanhoe and Berg’s Wozzeck Fragments and Lulu Suite with the Gothenberg Symphony and Venzago. Her diverse concert repertoire includes Schoenberg’s Pierrot Lunaire; Villa-Lobos’ Bachianas Brasileiras No. 5; Britten’s Les Illuminations and War Requiem; Strauss’ Vier Lezte Lieder; Telemann’s Brockes Passion; and Honneger’s Le Roi David which she sang at the 2008 Edinburgh Festival.
Rhona McKail, from Prestwick in Ayrshire, studied at the Royal Scottish Academy of Music & Drama where she gained a BA (Musical Studies) with first class honours in 2005. She recently concluded her studies on the highly coveted opera course of the Guildhall School of Music & Drama, London, from where she gained both a Masters of Music with distinction and a Master of Music in Performance (Guildhall Artist), also with distinction.
Upon leaving the GSMD, she sang Anne Trulove in British Youth Opera’s acclaimed production of Stravinsky’s The Rake’s Progress: “Rhona McKail, playing [Anne Trulove] as a dowdy provincial girl, and singing with intensity, does as well as anyone I’ve seen or heard.” (Michael Tanner, The Spectator)
Rhona has performed in many of the UK’s most prestigious venues, including: Wigmore Hall; St. Martin in the Fields; Cadogan Hall; Barbican Hall; and the Birmingham Symphony Hall. Her concert highlights include: The Angel in Jephtha for the London Handel Festival (also broadcast on BBC Radio 3); a recital of Handel and Purcell in St Georges Hanover Square, London; and The Creation with the London Concert Choir. Broadcasts have included a programme for BBC Radio 4 with Robin Bowman and In Tune with Iain Burnside on BBC Radio 3.
Recent roles Rhona has sung include: Rezia in La Rencontre Imprévue by Gluck; Anne Who Steals in The King goes forth to France by Sallinen; Agafya in The Marriage by Martinů, all for GSMD opera; and Ortensia (cover) in Mirandolina by Martinů for Garsington Opera.
Studying with her vocal tutors Patricia MacMahon and Jane Irwin at the RSAMD, Rhona won many accolades and, since moving to London, under the tutelage of John Evans has excelled in the Maggie Teyte French Song competition winning the Miriam Lycette Scholarship of 2006. She won the Simon Fletcher Charitable Trust Scholarship in 2007 and also in the same year a Susan Chilcott Scholarship and was the winner of the Association of English Speakers and Singers Patricia Routledge National English Song Competition. Most recently she was a semi-finalist in the Kathleen Ferrier Competition and won second prize in the London Handel Festival’s Handel Singing competition.
She was a Samling Scholar in 2006, and has undertaken masterclasses with such distinguished artists as: Graham Johnson; Iain Burnside; Sir Thomas Allen; Eugene Asti; Yvonne Kenny; Catherine Bott; Malcolm Martineau; Philip Langridge and Ann Murray; François le Roux; Daniel Taylor and most recently with Sir Timothy West.
Elisabeth Meister is an alumna of the Jette Parker Young Artists Programme at the Royal Opera House, Covent Garden. She has performed on the stages of Royal Opera House, Lyric Opera Chicago and Teatro Municipal de Santiago and, most recently, at La Monnaie, where she stepped in at very short notice to sing the title role of Lucrezia Borgia.
For the Royal Opera, Meister’s roles include Pale Lady The Gambler, Fox The Cunning Little Vixen, Costanza L’isola Disabitata, and First Lady Die Zauberflöte. In addition, she covered the title roles in Der Rosenkavalier, Aïda and Anna Nicole, as well as Polina The Gambler and Ellen Orford Peter Grimes. She made her international debut to great acclaim in the title role Aïda for Teatro Municipal de Santiago, returning there later in the season in the title role Lucrezia Borgia. She made her US debut at Chicago Lyric Opera in the role of First Lady Die Zauberflöte, and also covered the title role Ariadne auf Naxos. She returned to Santiago de Chile for her role debut as Elisabeth Tannhäuser.
A well-established concert artist, her repertoire includes Beethoven’s Missa Solemnis, Dvořák Stabat Mater, Elgar’s Caractacus, The Dream of Gerontius and The Kingdom, Mahler’s Eighth Symphony, Mendelssohn’s Elijah, Mozart’s C Minor Mass and Requiem, Orff’s Carmina Burana, Rossini’s Petite Messe Solennelle and Stabat Mater, Tippett’s A Child of our Time, Vaughan Williams’ A Sea Symphony and Verdi’s Requiem, among many other works. She recently made her debut at the Royal Festival Hall with the UK premiere of Torsten Rasch’s Mein Herz Brennt, with René Pape and the London Philharmonic Orchestra conducted by Vladimir Jurowski.
As a recitalist, she has performed Britten’s Cabaret Songs, Grieg’s Opus 48, Strauss’ Opus 48, Ebel’s As I Walk From Her Grave (world premiere), Wagner’s Wesendonck Lieder, Csanyi-Wills’ The Last Letter (world premiere) and Berg’s Sieben Frühe Lieder.
Engagements in the 2012-13 season include her return to the Royal Opera House as Helmwige, Third Norn and cover Sieglinde in the revival of Keith Warner’s production of Der Ring des Nibelungen, as Ker The Minotaur and covering Susan Bullock in the title role of Britten’s Gloriana.
On the concert platform, she performs at the Royal Opera House’s Extraordinary Gala marking the Queen’s Jubilee alongside Roberto Alagna, Angela Gheorghiu and Bryn Terfel and makes her Carnegie Hall debut with performances of Beethoven Symphony No.9 and Missa Solemnis as part of a US tour with the Monteverdi Choir and the Orchestre Révolutionnaire et Romantique under Sir John Eliot Gardiner.
Further highlights include the UK premiere of Shostakovich’s Orango with the Philharmonia Orchestra under Esa-Pekka Salonen, Beethoven’s 9th Symphony under Ryan Wigglesworth at the St Endellion Festival, and a recital of Wagner Lieder for the London Song Festival. Future engagements include Lady Macbeth for Scottish Opera and the title role Turandot for Bilbao.
Joseph Middleton, described in the BBC Music Magazine as ‘a born collaborator … one of the brightest stars in the world of song and Lieder’, performs and records with many of the world’s finest singers in major music centres across Europe and North America. Recent and forthcoming appearances include those at London’s Wigmore Hall, Royal Festival Hall and Royal Opera House, the Konzerthaus Vienna, Het Concertgebouw Amsterdam, Philharmonie Cologne, Luxembourg Philharmonie, Opera Bonn, New York’s Alice Tully Hall and at the Aix-en-Provence, Aldeburgh, Bath MozartFest, Brighton, Cheltenham, City of London, Edinburgh, Ravinia Chicago, Three Choirs, Toronto, Vancouver and West Cork festivals. Joseph has enjoyed concerts with internationally established singers including Sir Thomas Allen, Sophie Bevan, Allan Clayton, Sarah Connolly, Lucy Crowe, Iestyn Davies, Wolfgang Holzmair, Christiane Karg, Katarina Karnéus, Dame Felicity Lott, Christopher Maltman, Lisa Milne, Clara Mouriz, Ann Murray, Mark Padmore, Joan Rodgers, Amanda Roocroft, Matthew Rose, Carolyn Sampson, Toby Spence, Ailish Tynan and Roderick Williams. Before studing the piano on an EMI Scholarship at the Royal Academy of Music, Joseph obtained an MPhil degree in Musicology from the University of Birmingham. He subsequently took up the post of Musician in Residence at Pembroke College Cambridge and works extensively for the BBC New Generation Artists scheme.
Robert Murray studied at the Royal College of Music and the National Opera Studio. He won second prize in the Kathleen Ferrier awards 2003 and was a Jette Parker Young Artist at the Royal Opera House Covent Garden. Operatic roles at the Royal Opera House include Tamino (‘Die Zauberflote’), Lysander (‘A Midsummer Night’s Dream’), Agenore (‘Il re Pastore’), Belfiore (‘La Finta Giardiniera’), Jacquino (‘Fidelio’) and Don Ottavio (‘Don Giovanni’). Other roles include the title role in ‘Albert Herring’ for Glyndebourne On Tour; Nanki-Poo, Tamino, Don Ottavio and Idamante for English National Opera and Tom Rakewell (‘The Rake’s Progress’) for Garsington Opera.
Concert work includes Haydn’s Nelson Mass with Sir John Eliot Gardiner for the BBC Proms; Handel’s ‘Solomon’ with the Norddeutscher Rundfunk in Hamburg; Mozart’s C Minor Mass both with the City of Birmingham Symphony Orchestra under Sir Charles Mackerras, and with Le Concert D’Astrée; Britten’s War Requiem with Simone Young and Britten’s ‘Our Hunting Fathers’ with Thomas Adès at the Aldeburgh Festival; Strauss’s ‘Elektra’ with the Royal Scottish National Orchestra and Edward Gardner, Schumann’s ‘Manfred’ with the BBC Scottish Symphony Orchestra and Ilan Volkov at the Edinburgh Festival and ‘Tristan und Isolde’ with the Rotterdam Philharmonic and Valery Gergiev.
In recital he has performed at the Newbury, Two Moors and Aldeburgh Festivals. He has toured ‘Die Schöne Müllerin’ extensively with Malcolm Martineau, recorded a recital of Brahms, Poulenc and Barber with Simon Lepper for Voices on BBC Radio 3, and performed ‘On Wenlock Edge’ with the Dante Quartet both at the 2006 Brighton Festival and at London’s Wigmore Hall.
Daniel Norman was a choral scholar at New College Oxford, where he read Engineering. He went on to study in the US and Canada and at the Royal Academy of Music. In his first year out of college he made his debuts at the Queen Elizabeth Hall with Trevor Pinnock, the Royal Festival Hall with David Atherton, the Wigmore Hall with Graham Johnson, Almeida Opera and the Aldeburgh Festival with David Parry and at the Barbican with Richard Hickox.
Concert performances have included Wozzeck with Daniel Harding and the Mahler Chamber Orchestra, Evangelist in Bach St John Passion at the Festival Hall, Tippett A Child of Our Time with the CBSO and the Northern Sinfonia, Britten Les Illuminations and Mozart Requiem with Noseda and the BBC Philharmonic, Britten Nocturne with Edward Gardner, Britten Serenade in Tel Aviv, Britten St Nicolas at the Gulbenkian in Porto and for the BBC Concert Orchestra, Stravinsky Les Noces with Martha Argerich, Bach St Matthew Passion at the Concertgebouw and for the Sønderjyllands Symfonieorkester in Denmark, Beethoven 9th Symphony for Minnesota Orchestra, Holst Savitri with London Sinfonietta, Sam Kaplan in Weill’s Street Scene at the BBC Proms, St John Passion for The King’s Consort (Matthew Halls), Judas in Birtwistle’s The Last Supper for London Sinfonietta in Italy, Argento’s Jonah & the Whale in Boston, Messiah at the Royal Festival Hall, Delius Mass of Life with the BBC Philharmonic, Haydn Stabat Mater with Europa Galante and Fabio Biondi, Stravinsky’s In Memoriam Dylan Thomas with the CBSO, Renard (Helsinki & Paris), Britten War Requiem for Southbank Sinfonia and for Philharmonia Taiwan and recitals at Wigmore Hall, Kings Place and for Oxford Lieder.
Opera credits include Peter Quint The Turn of the Screw and Dr Blind Die Fledermaus for Glyndebourne on Tour, his Covent Garden debut as Borsa Rigoletto, Flavio Norma, Goro Madama Butterfly and Tchekalinsky Queen of Spades with Opera North, Tanzmeister in concert performances of Ariadne auf Naxos with Sir Simon Rattle and the LSO, Mao in Nixon in China for Opera Boston and at the Teatro Filharmonico for Fondazione di Arena di Verona, Scaramuccio in Ariadne auf Naxos for L’Opéra National de Paris and Tanzmeister Ariadne, Elemer in Arabella and Basilio Le Nozze di Figaro at Garsington, and the Electrician in the Channel 4 film of Adès’s Powder Her Face (Almeida/Aldeburgh), as well as in its Vienna and Boston premieres, and at the Mariinsky Theatre in St Petersburg. With the Early Opera Company he played the title role in Arne’s Alfred at the Covent Garden Festival. He sung Fenney/Hugo Mines of Sulphur at the Wexford Festival, Bob Boles Peter Grimes at the Endellion Festival, Basilio in Le Nozze di Figaro for Opera Zuid, Hermes in Tippett’s King Priam with the Nationale Reisopera, Eurimaco in Il Ritorno d’Ulisse in Patria and Valetto in L’Incoronazione di Poppea for the Bayerische Staatsoper, Munich and New Israeli Opera and, to critical acclaim, performed the first official staging of all five Britten Canticles in Westminster Abbey with Streetwise Opera. Daniel also appeared in Nuno Corte Real’s The Bronze Boy, in Porto and Lisbon and as White Minister Le Grand Macabre and Squeak Billy Budd for English National Opera, Maxwell Davies Taverner with BBC Scottish Symphony, Messiah for the Minnesota Orchestra & Chorale and Carmina Burana for the Orquesta Sinfonica Nacional de Columbia. Further engagements include title role Hugh the Drover for New Sussex Opera, Beethoven 9th Symphony (Marriner), Moser Die Meistersinger for Glyndebourne Festival and Schwanengesang for the Oxford Lieder Festival.
Charles Owen is widely recognised as one of the leading British pianists of his generation. He has performed at such venues as the Barbican Centre, Queen Elizabeth Hall and Wigmore Hall in London, Lincoln Center and Weill/Carnegie Hall in New York, the Brahms Saal in Vienna’s Musikverein, the Paris Musée d’Orsay, and the Moscow Conservatoire. His chamber music partners include Julian Rachlin, Chloe Hanslip, Adrian Brendel, and Nicholas Daniel and the Takacs, Vertavo, Carducci and Elias Quartets. He also has a highly successful piano duo partnership with Katya Apekisheva. He studied in London at the Menuhin School, the Royal College of Music with Irina Zaritskaya and Imogen Cooper. He has won numerous awards, including the Silver Medal at the Scottish International Piano Competition and the Parkhouse Award. A regular guest at festivals such as Aldeburgh, Bath, Cheltenham, West Cork and Perth, Australia, he has performed with the Philharmonia, Royal Scottish National and London Philharmonic orchestras. His solo recordings include discs of Janácek, Poulenc and Fauré. Together with Natalie Clein, he has recorded the cello sonatas of Brahms, Schubert, Rachmaninov and Chopin for EMI. He is a Professor of piano at the Guildhall School of Music and Drama in London.
Raphaela Papadakis studied with Janice Chapman on the Opera Course at the Guildhall School of Music and Drama, where her roles included Tytania in A Midsummer Night’s Dream, Aurore in Massenet’s Le portrait du Manon, and Susanna in Mozart’s Le nozze di Figaro.
Her other operatic roles include Gretel Hansel and Gretel for Clonter Opera, Dido (cover)at l’Opéra de Dijon, Pamina with Hampstead Garden Opera, and Branghien in Frank Martin’sLe vin herbé with Ardente Opera, as well as Dido Dido and Aeneas, Lauretta GianniSchicchi, La Marchande Les Mamelles de Tirésias, and the title role in Holst’s Savitri for Cambridge University Opera. Before studying at the Guildhall, she was a choral scholar at Clare College, Cambridge, where she gained a first class Honours Degree in English Literature, graduating in 2009.
Raphaela was a finalist in the London Handel Competition and won the York Early Music Festival Prize. She is also the winner of the Association of English Singers and Speakers Courtney Kenny Award 2011 and the Guildhall English Song Competition 2010, and was a finalist in the Jackdaws Awards 2010 at the Wigmore Hall. Last year, she was awarded a place on the inaugural Internationale Meistersinger Akademie, which took her to Neumarkt, Germany in the summer for six weeks of intensive study under renowned international teachers and artists, including Edith Wiens, Malcolm Martineau, Brian Zeger, Siegfried Jerusalem and Rudolf Piernay.
Raphaela is just as happy on the concert platform as she is on the stage. Recent highlights include performances of Schoenberg’s melodrama Pierrot Lunaire in Cambridge, Haydn’s Nelson Mass with the Thomas Tallis Society, Britten’s Les Illuminations in St James’s Piccadilly and Mahler’s Fourth Symphony and Bach’s B Minor Mass in St John’s Smiths Square, London. She also performed Mozart’s Requiem with Stephen Cleobury, the Choir of King’s College Cambridge, and the Aurora Orchestra in Kings Place, London, in a performance that was streamed live through the Guardian website. Plans for 2012/13 include Haydn’s The Creation with Stephen Cleobury, Pierrot Lunaire at Sutton House, London, and performances in the London Handel Festival and the York Early Music Festival.
The Phoenix Piano Trio, formed in 2010, is fast establishing itself as one of today’s leading ensembles. Their concerts to date have drawn universal high praise; the Oxford Times described the playing in their debut concert as “a common approach to the music… a well-rounded concert from three consummate musicians.” In 2011, after an extremely successful first season, they undertook a major series performing all of Beethoven’s piano trios in London, Oxford and various other venues, as well as commissioning five new works to be performed alongside them.
In 2012, the Trio will give its debut recital at London’s Wigmore Hall. They also release their first CD; a live recording from the “Beyond Beethoven” series recorded in 2011, featuring the “Archduke” trio and the trio in E flat, Op. 70 no. 2.
Violinist Jonathan Stone is also a member of the Doric String Quartet, hailed as the eminent quartet of its generation. Cellist Marie Macleod is a renowned soloist, a member of the Lendvai String Trio, the Aronowitz Ensemble (BBC New Generation Artists) and Ensemble 360. Pianist Sholto Kynoch works with many outstanding string players and singers, recently launched his debut CD at Wigmore Hall and is the founder and artistic director of the Oxford Lieder Festival.
Tom Poster has been described as “a marvel, [who] can play anything in any style” (The Herald), “mercurially brilliant” (The Strad), and as having “a beautiful tone that you can sink into like a pile of cushions” (BBC Music).
Tom has performed more than 40 concertos ranging from Bach to Ligeti with Aurora Orchestra, BBC Philharmonic, BBC Scottish Symphony, China National Symphony, Hallé, Royal Philharmonic and Scottish Chamber Orchestra, under conductors including Vladimir Ashkenazy, Nicholas Collon, James Loughran, En Shao, Robin Ticciati and Yan Pascal Tortelier. He features regularly on BBC Radio 3 as soloist and chamber musician, and has appeared several times at the BBC Proms. Tom’s chamber music collaborators include Alison Balsom, Ian Bostridge, Steven Isserlis, Guy Johnston and Elena Urioste, and as pianist of the Aronowitz Ensemble (former BBC New Generation Artists), he has appeared at the Concertgebouw, Wigmore Hall and the Aldeburgh, Bath and Cheltenham Festivals.
Tom has recorded for Champs Hill Records, Chandos, Decca Classics, Edition Classics, EMI, Sonimage and Warner Classics. He studied with Joan Havill at the Guildhall School of Music and Drama, and at King’s College, Cambridge. He is also a successful composer, and a lifelong fan of dugongs.
Elisa Rapado, pianist from Zamora (Spain) discovered her passion for Lied and vocal accompaniment while studying chamber music in Moscow with Georgi Fedorenko. She has appeared in many voice recitals, the international masterclasses Cordes et Pics (France) and the last masterclasses given by Teresa Berganza in León. As a professor of piano and accompaniment at León’s conservatoire, Elisa helps many young singers at the beginning of their careers by evangelising Lied and art song through lessons, as well as her frequent concerts and activities aimed at children, young people and amateurs.
Christine Rice is one of the leading British mezzo sopanos of her generation. A regular performer at the major European opera houses including Covent Garden; the Bayerische Staatsoper, Munich; Frankfurt Opera; the Teatro Real, Madrid and English National Opera she has built a reputation both as a singing actress and a Handelian of the highest order.
For the Royal Opera, Covent Garden her roles have included Judith Duke Bluebeard’s Castle, Concepcion L’Heure Espagnol, Miranda Ades’ The Tempest the title role in The Rape of Lucretia, Sonyetka Lady Macbeth of Mtsensk, Ariadne in the world premiere of Birtwistle’s The Minotaur, Giulietta Les Contes d’Hoffmann, Maddalena Rigoletto and Carmen. For English National Opera her roles include Marguerite La damnation de Faust and Arsace Penelope. Other notable roles include Penelope Il Ritorno d’Ulisse for Frankfurt Opera; Dorabella Cosi fan tutte for Seattle Opera and the Bayerische Staatsoper; Diana La Calisto for Geneva Opera; Beatrice Beatrice et Benedict for the Opera Comique in Paris and the title roles of Ariodante and Rinaldo for the Bayerische Staatsoper.
Christine also has a very busy concert career, appearing throughout the UK, Europe, North America and at the BBC Promenade Concerts and Edinburgh International Festival working with conductors that include Antonio Pappano and Sir Charles Mackerras.
Sam Robson is a twenty-three year old musical prodigy and multi instrumentalist who is the son of classically trained violinist parents – his father plays in the London Symphony Orchestra. After finding trouble settling into mainstream education it became clear to him that music was the desired path. At this point he discovered the Brit School from where he would eventually graduate with distinction, immediately showing himself to be an exceptional student and winning their prestigious competition for song writing in his second year. At the Brits School he studied with the hugely successful act Rizzle Kicks, whom he supported regularly at live shows in their formative years. He also wrote, recorded, produced and arranged for many of the students at the school, building a studio in his parent’s house that often accommodated all-night full band recordings. As well as being an accomplished guitarist and drummer Sam has always been fascinated with the voice as an instrument in its own right, and a cappella has been a natural vehicle for him in that regard. He has created versions of s Mirrorball – which after its upload to YouTube was mentioned by the band’s singer Guy Garvey, during their tour of the United States – and a version of the theme tune for TV show Family Guy, which was broadcast on BBC TV prior to an episode. Always experimenting with arrangement and musicality, Sam has created nine-part harmony versions of some of his favourite hymns that he originally posted on his YouTube channel; these songs have now received combined views well in excess of two million hits from all over the world.
Matthew Rose is one of the most exciting singers of his generation. In the 2012/13 season he returns to the Metropolitan Opera as Talbot in a new prodction of Maria Stuarda, he makes his role debut as Sarastro Die Zauberflöte at Covent Garden and his concert appearances include the Boston Symphony Orchestra with Dutoit, the Chamber Orchestra of Europe with Nézet-Séguin and the Orchestre Révolutionnaire et Romantique with Gardiner.
In 2006 he made an acclaimed debut at the Glyndebourne Festival as Bottom A Midsummer Night’s Dream – for which he received the John Christie Award – and he has gone on to sing the role at La Scala, at Covent Garden, the Opéra National de Lyon and at the Houston Grand Opera. Other highlights have included included Sparafucile Rigoletto at Covent Garden; Colline La bohème at the Metropolitan Opera; Mozart’s Figaro at the Bayerische Staatsoper in Munich; Claggart Billy Budd at the English National Opera and Leporello Don Giovanni and Nick Shadow The Rake’s Progress at the Glyndebourne Festival.
Future seasons will see him sing Leporello at the Deutsche Oper in Berlin and Henry VIII Anna Bolena for the Opéra de Bordeaux; return to Covent Garden, to the Glyndebourne Festival and to the Metropolitan Opera and make his debut at the Lyric Opera of Chicago.
He has appeared in concert at the Edinburgh Festival, the BBC Proms and at the Mostly Mozart Festival in New York and recent engagements have included the London Symphony Orchestra with Sir Colin Davis; the Los Angeles Philharmonic with Dudamel; the Swedish Radio Orchestra with Harding; the BBC Symphony Orchestra with Sir Andrew Davis, the Dresden Staatskapelle with Mackerras and the Accademia Nazionale di Santa Cecilia with Pappano.
In recital his appearances include the Wigmore Hall, the Concertgebouw in Amsterdam and the Brighton, Edinburgh, Chester and Cheltenham International Festivals.