Die schöne Müllerin
Tenor Robert Murray and pianist Andrew West team up for this wonderful performance of Schubert’s first song cycle.
Played with virtuosity, sung with beauty and fearlessness, and interpreted with wit and discernment, this is a Die schöne Müllerin in which Müller’s words and Schubert’s music sound astonishingly new. (Voix des arts)
Robert Murray, fresh from courting Mabel in ENO’s Pirates of Penzance, tries his luck again, this time as Lakmé’s suitor, Gérald. The tenor is in excellent voice these days and his account of “Ah! viens dans la forêt profonde” was unwavering and passionate (What’s on Stage)
Fflur Wyn [was] complemented by the warm honeyed tenor of Robert Murray as the smitten army officer. Their duets were as pleasurable as their arias, and both demonstrated an elegant sense of Gallic style (The Telegraph)
Well-paced violins supported the splendid depiction of Jephtha by Robert Murray. His superb florid semiquaver passages in true baroque style were a delight (Birmingham Post)
But the evening’s most elegant singing came from Robert Murray as the Steersman (The Telegraph)
- Das Wandern
- Wohin?
- Halt!
- Danksagung an den Bach
- Am Feierabend
- Der Neugierige
- Ungeduld
- Morgengruß
- Des Müllers Blumen
- Tränenregen
- Mein!
- Pause
- Mit dem grünen Lautenbande
- Der Jäger
- Eifersucht und Stolz
- Die liebe Farbe
- Die böse Farbe
- Trockne Blumen
- Der Müller und der Bach
- Des Baches Wiegenlied